Architectural Rendering Services Wine Cabinet Idea Seattle Washington

Photorealistic architectural renderings seattle, washington Wine Cabinet Idea by JMSD Consultant for amazing seattle, washington Photorealistic interior design. Have a project you’d like to work on together?

Project specifications Note:

1. the cabinets above the wine coolers and wine cabinets are supposed to have open shelves.
The countertop on the center wine cabinet is 37” to the top. The horizontal trim on each side of the wine coolers is also 37” to the top of the 3 1/2” x 3/4” trim.
2. The bottom shelf on the side is at 37” to the bottom of the shelf.
3. All of the trim boards are 3 1/2” x 3/4”
4. The Crown molding around the top is 6” wide.
5. The Baseboards on each side of the wine coolers are 8” x 1 1/2” and they are to match the existing baseboard in the house

For this project, we received the inputs as 3D floor plans and the reference images for the interior elements to be created. The basic modeling was carried out in 3DS Max along with V-Ray Plugins. The renders were completed in a timeframe of 4 business days along with post-production.

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IRON SCALES

This is a personnal project
I wanted to create a olympic swimming-pool image that always practiced this sport, so I had a critical eye to judge the realism and conformity of assets, as well as many hours of 3dsmax to have this result, my best image so far.

Nancy

This is our last challenge completed: create a perfect 3D twin of the administrative and technical headquarters for a dermatological product company in Nancy (France) by Studiolada located in the middle of a forest of deciduous trees. Again trees and grass are full 3D, modeled from scratch using Forester for Cinema 4D. Modeling, framing, lighting and texturing: Silvia Labanti with Cinema 4D and V-RAYforC4D. Post-production: Angelo Ferretti. Inspired by Ludmilla Cerveny original photos.

Coming Back to Life

COMING BACK TO LIFE IS AN ARCHITECTURE MOVIE, A CINEMATIC NARRATIVE LOADED WITH EMOTIONAL CONTENT AND DRAMATIC SCENERIES.

IT IS AN ATTEMPT TO PRODUCE NEW UNDERSTANDINGS OF WHAT IS AN ARCHITECTURAL CONCEPT. IT IS A SIMPLE IDEA REPRESENTED THROUGH A STORYLINE, A PLOT AND A TWIST, BASICALLY A MODERN DAY FAIRY TALE.

THE MOVIE REVOLVES AROUND AN ARCHITECT’S OBSESSION WITH BURJ EL MURR, THE TOWER OF BITTERNESS, A SOARING MONUMENT AND AN OLD LEGACY OF WAR, IN THE HEART OF BEIRUT.

THE FIRST SCENE PORTRAYS OUR MYSTERY MAN ENTERING HIS GLOOMY APARTMENT FACING HIS ARCHITECTURAL FASCINATION, TO BE SURPRISED BY AN EMERGING STRUCTURE SUSPENDED ON THE WALLS OF THE TOWER. SUDDENLY THE DISBELIEF IS INTERRUPTED BY A NOISE THAT APPEARS TO COME OUT OF THE TV, AND THE FRAME BLACKOUTS OUT WHEN IT GETS CLOSER TO THE WINDOW. DIRECTLY WE ARE TRANSPORTED INSIDE AN OPENING OF THE BURJ EL MURR, TO ASCEND THE BODY OF THE CONCRETE BRUTE, PASSING THROUGH THE VOID, THE GREEN SPACE, THE MEMORIAL AND THE RECEPTION AREA. WE ARE THEN DRIVEN OUTSIDE, TO DISCOVER A MONUMENT, ELEVATED FROM THE GROUND. OUR ARCHITECT’S CAR ARRIVES TO THE SCENE WHILE THE STRUCTURE IS COMPLETING ITS GROWTH. FINALLY THE STORY ENDS ON A SHOT OF THE TOWER IN ITS NEW SKIN, STANDING TALL IN THE MIDST OF ALL THE DISTURBING CHAOS OF THE CAPITAL.

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