IJsselstein
This is a selection of images for the new office for slangen+koenis architect.
Metroid
It’s getting late, and the sun hits the buildings with its final light rays.
Rendered with V-Ray from Chaos Group
Trees and people scattered with Forestpack from Itoo Software
Context Buildings with Archmodels from Evermotion
FALCON PROJECT. SECRET BAR
Happy to announce that we have completed one more project for Timothy Oulton Studio.
This project consists of two rooms, one of them – secret bar, which is made in the style of wine cellar.
One of the main features of this room is a huge mirror made by Timothy Oulton Studio. This mirror has an infinity effect.
Also, the floor and walls are covered with copper panels, which is a really interesting solution.
Hope you enjoy it!
Thank you!
https://www.behance.net/gallery/80462061/FALCON-PROJECT-SECRET-BAR
If you are interested in cooperation, please contact us by e-mail: [email protected]
Jönköping Ängshusen
A set of visualizations of the residental project located on the outskirts of Jönköping. Imagine having such a view on the Vättern lake every morning!
Cel Gratat by Quatre Caps
Where did this skyscraper come from?
We would like to share with you this self-production image we made a while ago. Hope you like it!
Coming Back to Life
COMING BACK TO LIFE IS AN ARCHITECTURE MOVIE, A CINEMATIC NARRATIVE LOADED WITH EMOTIONAL CONTENT AND DRAMATIC SCENERIES.
IT IS AN ATTEMPT TO PRODUCE NEW UNDERSTANDINGS OF WHAT IS AN ARCHITECTURAL CONCEPT. IT IS A SIMPLE IDEA REPRESENTED THROUGH A STORYLINE, A PLOT AND A TWIST, BASICALLY A MODERN DAY FAIRY TALE.
THE MOVIE REVOLVES AROUND AN ARCHITECT’S OBSESSION WITH BURJ EL MURR, THE TOWER OF BITTERNESS, A SOARING MONUMENT AND AN OLD LEGACY OF WAR, IN THE HEART OF BEIRUT.
THE FIRST SCENE PORTRAYS OUR MYSTERY MAN ENTERING HIS GLOOMY APARTMENT FACING HIS ARCHITECTURAL FASCINATION, TO BE SURPRISED BY AN EMERGING STRUCTURE SUSPENDED ON THE WALLS OF THE TOWER. SUDDENLY THE DISBELIEF IS INTERRUPTED BY A NOISE THAT APPEARS TO COME OUT OF THE TV, AND THE FRAME BLACKOUTS OUT WHEN IT GETS CLOSER TO THE WINDOW. DIRECTLY WE ARE TRANSPORTED INSIDE AN OPENING OF THE BURJ EL MURR, TO ASCEND THE BODY OF THE CONCRETE BRUTE, PASSING THROUGH THE VOID, THE GREEN SPACE, THE MEMORIAL AND THE RECEPTION AREA. WE ARE THEN DRIVEN OUTSIDE, TO DISCOVER A MONUMENT, ELEVATED FROM THE GROUND. OUR ARCHITECT’S CAR ARRIVES TO THE SCENE WHILE THE STRUCTURE IS COMPLETING ITS GROWTH. FINALLY THE STORY ENDS ON A SHOT OF THE TOWER IN ITS NEW SKIN, STANDING TALL IN THE MIDST OF ALL THE DISTURBING CHAOS OF THE CAPITAL.
Check the Full Story on www.jpag.co
