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Following yesterday’s article about Unbiased GPU Rendering with FStorm by Daniel Reuterswärd, is this first article by Johannes Lindqvist out of three he is going to publish here about the same topic. So what is the big deal with Unbiased GPU Rendering? Let’s find out!
I’m exploring GPU rendering now, inspired mostly by the work of Daniel Reuterswärd and Johannes Lindqvist who share so much of what and why they do what they do. To get on track fast, I have approached them both seeking insight I can use and share with you all here. Today I’m publishing this hybrid thoughts and making-of by Daniel as he makes his first steps with the new FStorm Render engine. More on this, Octane Render and general GPU tasty bites to follow this week by Johannes as well. Enjoy!
Once you’ve established a baseline for your ArchVIZ Art, you will need to effectively leverage technology to scale your operation and stay up to date. Most extra software and hardware solutions may seem pricey at first, but they pay for themselves very quickly. In my experience, the saying “time is money” has proven itself time and time again.
Yesterday we kickstarted a 5 parts series about The ArchVIZ BIZ by Norm Li. Read the introduction on the Job Board Blog to get a sense of what is coming… it’s GOOD! I’ve been keeping an eye on Norm Li’s studio since I started out 15 years ago and seeing how they grew to become the biggest independent ArchVIZ Studio in Canada is amazing. Lot’s of insight coming your way – brace yourself!
360 degree 3d panoramic virtual tours aren’t new. I remember a period more than 10 years ago when we played with this a bit until it was put aside in favor of conquering photorealism. Now that we have defeated the latter, the former is back, riding the VR waves. Photorealism + Immersive Experience geared by the many headsets available today opens up the field once more and we must look beyond the curve for what’s ahead. Let’s start with the most basic of things, introduced by Robert Dukes from Brisbane based rdvisualization studio – A creation of a 360 degree 3d panoramic virtual tour… we will tackle how to get this working inside an Oculus Rift or Gear VR later on.
It is not a secret that the photo being used as a backdrop for a photorealistic architectural visualisation, specifically an aerial, can make or break the visual. I find it odd I did not address this area of our work so far – When Virtual Meets Reality! That is why I’ve approached Jason Hawkes, A London based photographer specialising in Aerial Photography since 1991 to share his insight on the topic. Enjoy!
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