Providencia

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Providencia

Development: Bouygues Immobilier
Architecture: Aube Conception

At the intersection of Division du Général Leclerc and Paroy streets, Providencia takes advantage of Lumicene curved glass windows, strategically placed at the corner of the building in order to articulate the North and South facades and minimize the ground floor constraints of this urban area.
Steel and glass are blended with the plaster finish while the two top floor penthouses are underlined by a beige metallic cladding.
30 apartments are distributed over six floors, preserving its singularity as well as offering a wide choice of typologies adapted to the current lifestyles through a well-designed achievement in the heart of the city.

Oxygen
www.oxygen.pt
info@oxygen.pt

Regents Green Kitchen

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CGI interiors with deeper colour palettes are often more problematic to light. By using natural light from the substantial glazed walls and an overhead roof window we’ve been able to utilize darker material combinations, creating depth and texture that accentuates our clients cabinetry.

We used 3DSMax here with Corona renderer, colour adjustments in Fusion with detailed adjustments and compositing the plant leaves done in Photoshop.

Conceptual design of Municipal complex in Zielonki, Poland. (Near Krakow)

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The concept of forming the center of Zielonki, Poland, near Fort 45 Marszowice, which is a protected heritage, provides for the formation of a dense quarter and reduction of the projected area to 2.66 hectares to save money and end point of the complex. The center is a public square, which borders all the buildings of the complex. It provides for the formation of a large number of public spaces (main square, observation deck in the municipality and the rise to it, the space above the skate park), active (bike paths, skate park and sports stadium) and passive (walking routes around the fort) recreation.

‘Native’

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‘Native’
Illustrated by Duy Phan

I have noticed ‘Ordered’ and ‘Chaotic’ are going hand in hand in most if not all great artworks. It’s always that the most satisfying viewing experience is finding the rough imperfection surfaces that go with the sophisticated perfection lines. This, personally, might be the reason for my massive love of native garden design, especially when it goes with minimalist architecture.

I find myself being heavily attracted by the wildness of native vegetation yet the intention of placing and grouping them together from the landscape designer makes them lift each other’s beauty up so naturally.

‘Native’ is my appreciation for indigenous garden design, more specifically, Australian landscape.
As visual artists, if we get a strict architecture brief but an open landscape design to be populated by our own skills, I believe chances are we can have the potential for making great images, isn’t it?