Making of Kalmar Art Museum

Following Mohit Sanchaniya entry to the Tomorrow 2017 Challenge, which awarded him the Runner-up position and a job at the Tomorrow Studio, he now shares the making process of his winning entry. Mohit showcases high levels of realism in this recreation of Tham & Videgård Arkitekter’s Kalmar Art Museum using 3ds Max, Corona Renderer, GrowFX and Forest Pack. Enjoy!

Hello everyone,

I am Mohit Sanchaniya, 22-year-old from Bengaluru (Karnataka), India. It’s been three years for me in the field of CG architecture.

Before we get started, I’d like to thank Ronen & TMRW for the Tomorrow 2017 challenge, inviting me to write a blog post on my recent project of Tham & Videgård Arkitekter – The Kalmar Art Museum.

This Project was made for the TMRW challenge, which I had focused on autumn atmosphere & photo-realism, this project is based on the reference of the Tham’s & Vadegard’s Kalmar
Konstmuseum located in Sweden.

For this project, I used Autodesk 3Ds Max 2017, Corona Renderer 1.5, Exlevel GrowFX, iToo Software Forest Pack, Adobe Photoshop & Nik Software.

I will show you how far I got into detailing & shading.

Let’s Start.

References

When I initially saw the reference in the TMRW challenge, the first thing the strike me was to place the structure in the autumn season, which got me started collecting references of the autumn and other details.

Modeling

It’s the interesting part but was tricky enough, as I had to obtain the maximum reference of the structure & JPEG plans, where I had to assume the values of the structure to the real world scale, like the thickness, size, height other parameters.

I had to spend almost a day just doodling the value of the building, and it was more approximate of the building. Once I had enough data, I started off with the modeling of the structure using a simple box to the chamfer, at some boolean operation were carried out for the window placement.

Vegetation / Foliage

The environment was looked simple enough from the photo reference and was to made a fresh grass with muddy parts. I started with a simple plane & modified the geometry with the Push/Pull to achieve the contour sloping at the back, natural look & some bumpy impression.

The Vegetation was from The Boundary Store, VIZPARK & some Evermotion Corona Renderer Ready 3d models. I customized all the textures according to the scene.

Some trees were modified using the VIZPARK GrowFX version of them. It is quite handy to make lots of different variations & customizations.

I use iToo Software’s Forest Pack in all my personal and commercial projects, and this was no different.

So we have to pay attention to the variation, scale, distribution & other parameters for the vegetation scatter which intern influence the composition with the balance of light & shadows.

Here’s the overview of the scene inside the 3ds Max viewport…

Forest Pack Scatter Parameter

Texturing

It’s one of the most creative processes in the making of realistic shaders. I like this process a lot and specifically the procedural way of going about it.

All the shaders were customized. I had to spend almost four days creating a perfect shader to fit with the photo reference. It was a challenging part in this making-of. Here are some breakdowns of the texturing process.

Yellow Dirt Paint

Asphalt Base

Autumn Leaves

Beige Brick Wall

Black Wooden Dirt

Concrete Seepage

Concrete Dirt Steps

Lighting & Camera

The lighting is one of the important characteristics which has an intense impact on the feel, mood, composition & atmosphere.

The lighting approach of this project was a simple enough using just HDRI’s from PG SKIES: HDRI Sky PG 1714w & 1853 – Low sun clouds. The series two from PG Skies are impressive for accurate illumination & personified mood.

I used a V-Ray HDRI map, as I am much familiar with the parameter and flexible to control the direction, intensity as well the shadows.
There is no particular setting in the camera, as I used a default physical camera, with a Corona Renderer cam modifier applied, but mainly the scene was illuminated with the exposure approach from the Corona Renderer settings.

Render Settings

I used Corona Renderer. Many are familiar with this engine & one it is one of my favorite render engines. It is easy to use & flexible for producing fast results.

The default Corona rendering settings are perfect for any scene. As a progressive render engine, Corona is very easy to use inside any workflow.

Here are the render settings…

Post Production

I haven’t applied too much post production to the finals images, other than a very simple color correction, LUT’s and some recovery of the reflection, chromatic aberration & Vignetting.

Hope you enjoyed this article and please comment on it below!

Greetings from India,

Mohit Sanchaniya.

www.facebook.com/mohitarchviz
www.behance.net/mohitdzn

  • Chris Langeveldt

    Its amazing work !
    I would really appreciate if a “how to” could go into a bit more detail as to material
    creation. Why AO ? Why dirt ? Where Dirt etc.

    But all in all thanks and congratulations , you’re victory is well deserved

  • Ganesh Kumar

    Thank you mohit…

  • Yacine Spayna

    congratulation Ganesh verry amazing work !
    can you share the differents map for the black wood ?

  • Jesse Walsh

    Awesome renders. I don’t understand how you are using the second HDRI? Can you please explain? Is there a sun in the scene or is all the light coming from the HDRI’s?
    Thanks!

    • abin britto

      i also have the same question. Plz reply

  • Alexandr Razgonyaev

    plz make pictures clickable.

    • build – Architektur Visualisie

      you can make a right click on the images and choose to open them in a new tab. then you can see the full size images.

  • Rombout

    Stunning that he’s just 3 year in archviz, does that mean hea started from scratch or did he had some prior skills. Well done, relly nice shots.

    As mentioned by other i would wish for more in depth tuts, they are all the same but lack modelling part etc etc