Wake Up – 2051 – Final Animation

The idea is to show conversion from our current noisy and busy way of existence to a more relaxed, balanced and connected one.

In 2051 people live together with nature, growing their own foods and 3D printing pies at the same time

Communication takes place through 3D hologram device, deliveries and transportations are powered by drones, which in return are powered by solar and wind energy gathered by the households.

People have finally incorporated daily exercise and mindfulness in their lives and are applying recycled materials wherever possible
(recycled plastic composite, recycled fabrics and wood)

Link to the final animation here: https://www.dropbox.com/s/7xoye6eqr30rvmg/Converted_2051.mp4?dl=0

P.S. I could still keep improving and improving the project, but the deadline is here and thank God, cause I think my eyes are in real danger of falling off.
Regardless of the creative process ups and downs, raised anxiety and complications with the substance animation rendering really enjoyed working on the project, learned a lot and most importantly had a lot of fun too! Many thanks to organizers and participants!

Red Barn

Red Barn is a converted utility shed elevated above a lake inspired by Central Otago in the lower half of the South Island, New Zealand. The area is dominated by ranges and basins. Central Otago is a massive block of schist, part of the 85-million-year-old Zealandia continent. I was inspired by the rugged beautiful landscape and the rich history when I visited the area a few years ago. From whaling to farming to fruit to gold the area has had a very diverse past. There are lots of historic buildings that helped serve these industries – some beautiful and some not so, but most are very functional.

In designing Red Barn, I took the quintessential kiwi “shed” you see scattered throughout rural New Zealand and reimagined it as a holiday home. Sheds by nature are simple structures designed for maximum function at minimum cost. I created a piece of vernacular architecture that honours the essence of the shed, without looking out of place nestled into the rural landscape.

Red Barn from the outside is simple in form clad entirely in corrugated iron finished in red oxide paint containing a mix of locally sourced iron ore and oil. The barns roof and central doors both front and rear slide open simultaneously when in use. When unoccupied the barn closes to protect itself from the harsh weather. When in its closed configuration only four windows are visible limiting the amount of change in material showcasing a more monolithic silhouette. In its open configuration a central glass atrium is revealed, and the roof creates wings that cantilever high above the ground.
The Interior is finished with locally sourced raw materials that complement the surrounding landscape that are rugged and beautiful and rich in texture. Timber lined walls, floors and ceilings on the upper level and concrete floors on the lower level. Schist feature walls and Pounamu (greenstone) inspired mosaics in the kitchen and bathrooms. The plan is simple with 2 bedrooms and a shared bathroom wing on either side of the upper-level split by a bridge that spans the atrium. A spiral staircase takes you down to the lower level with open plan living. The entry door leads you directly into the atrium, but the barn can also be access through a utility room that flanks the kitchen. There is a small bathroom/laundry/wet room located behind the living room too.

The idea was that the atrium space could be used for many different functions such as seating over spill for larger gatherings, a play area when the weather was bad, studio/craft area, maybe you could house a large telescope and gaze at the stars when the roof is opened on the northern side of the atrium.

The furniture is simple and minimal to help inform the rawness of the area. I tried where possible to use locally designed furniture and fittings.

Everything is contained within the footprint of the barn to limit its impact on its surroundings and to keep that “shed” like feel. When you are outside you are truly outside!

Animation:

Robot’s Head

A bridge from the future to the past. Business and cultural center, arts quarter and history museum, enclosed in a glass castle, where the remains of the ruins of the Royal Castle are kept.
The history of the city and some of its parts is of great value, the combination of times as an asset in the form of two objects with a sad fate. The royal castle, badly damaged during the war, was a symbol of Königsberg, its most important building dominant. After the region became part of the USSR and the city was renamed Kaliningrad, the authorities decided to demolish the ruins of the castle, for political reasons there was no question of restoring it. 20 years later, Soviet architect Lev Misozhnikov designed the House of Soviets to manage the Kaliningrad Regional Committee of the Communist Party of the Soviet Union, and in the 70s its construction began on the site where the castle was located.
For various reasons, the construction of the building was not completed, becoming another symbol of the city, but already the city of Kaliningrad. For its bizarre shape, similar to a “robot’s head” sticking out of the ground, the city dwellers gave this name to this building. For several years, the House of Soviets never found its purpose, being empty in the very heart of Kaliningrad.
In my project, I created a solution that, in my opinion, could give this building a second life and remind about history – from the symbol of Konigsberg to the symbol of Kaliningrad.
Originals https://we.tl/t-AzZoJ2XTu3

“Evanescent”

For this project, my approach is a bit different than usual. I thought it’ll be more interesting to come up with something “expressionist”,
This gave me more artistic freedom and flow of ideas that are not bounded by any rules and standards.

Instead of conveying an absolute reality (or projected reality), I created something that may not be possible to build in real life. Still somehow architecturally designed, the basic goal is to create images that express a much colorful and solid meaning.

I tried to dig deeper on the word “converted” and come out with the idea of “constant change”, which simply means that any state of everything will soon change to something.

An old farm converted to a church (could be anywhere).

The cloth symbolizes constant movement ( as its shape is dictated by the wind and whatever it covers)
This implies that life is movement and we can only control what will happen as much as we can but nature will still take its course.

The covered trees mean the temporary state of things;

An ugly naked tree can be dressed up and still look majestic.
But it cant be covered forever as the season will soon change and it’ll grow into a much beautiful tree with green leaf and flowers.

The wrapping of trees is inspired by the works of Christo and Jeanne-Claude https://christojeanneclaude.net/.
Their work is sometimes not accepted when it’s currently installed but it’ll look majestic and beautiful now looking at the photos and prints.
Those art installations are examples of what I’m trying to convey, that no matter how good or bad things are, they’re all just temporary.
That we all have a choice to keep the good memory and leave the bad ones behind.

The structure resembles a church with no altar;

Aside from being open and free, this symbolizes hope and fate, that as though we know that everything won’t last, were always promised a new tomorrow is coming.
It may or may not be the same as what we have today but we rely on our faith to be positive that it’ll be a better one.

Those dandelions in the field symbolize hope( we usually blow on its flower and make a wish)

The olive tree in the middle symbolizes peace and prosperity which we all desire( feel free to google it 🙂

Overall, I tried to somehow give a positive vibe to everyone suffering or on the bad side of what’s going on around the world.
That no matter how crazy things are right now… these all shall pass 🙂

Hires available here; https://we.tl/t-9afuZccu0x

The third Ronda

The three images are showing how the architecture took place in this initial wild and burned environment. The sequence is backward. The third shot is showing the majesty of the Ronda bridge, alone, surrounded by poor landscaping, rocks and dry vegetation.
The final two shots are describing how the new architecture is integrated with one of the oldest tradition of agriculture in Spain, the production of golden juice of the olive fruit. The olive oil factory kept the old use of the bridge but it changed the environment, creating fields for the growing of olive trees. It converted also the purpose of the land not just the function of the bridge. It is a matter of respect for the connection between OLD and NEW.

Images with better quality:
https://wetransfer.com/downloads/c7c80e2bada296f49f32468fa1a5de0320210621121039/9b8b817bbad5edd861b93c31088a21c220210621121105/6ce20d

Ordinary Beauty

Concept

I imagine this project as a new heart beating center for the city.
Community is the center of these visuals. The message and the story I wanted to tell are not the architecture itself. The scheme is meant to surround and frame people’s stories and feelings.
It is not about outstanding offered services or modern and beautiful infrastructures, but how the new amazing area will inspire and change people who are living there, who are working there and who engage with it.

People having a relaxing time into the park, enjoying the sunshine on a beautiful Saturday morning. A model having a photo shoot for a magazine inside the awesome Vessel, inspirational design building which is the iconic face of the Masterplan. Some friends are enjoying life after a long day on a roof terrace with a fantastic panoramic view, enhancing the beauty and magic of lighting.

Sunshine through nature. A night in the sky. Eccentric fashion.
These are the main themes I’ve explored within these visuals to tell a story about the Scheme and how beautiful it could be to interact and engage with it.

Get there. Get inspired. Eat and drink all the beauty.