CABINS / Alan Valadez : @a.valadezart: Adding some bioluminescent plankton
started adding some bioluminescent plankton to the context in rhino which later I will set emitters in maxwell
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See Entries & Join! About Convertedstarted adding some bioluminescent plankton to the context in rhino which later I will set emitters in maxwell
I did some lighting trials with different conditions to know how each materials look and feel in the scene.The texture is not finalized yet as you can see from the renders.I have tried to play with different maps for the trees (winter leaves etc.) to know the mood each creates.
Was having some issues with the mapping and population of grass and it seems to float around but all i good now after i gave a quick disk space cleanup and restart.Hopefully i should be able to fix the model and populating issues soon and churn out the renders 🙂
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How to re-examine our relationship to time?
Take the time to take the time. Pause. Suspend time with beauty shots. Sublimate the solitude of a look on the sky.
“Silence becomes a rarity and a dimension that we risk losing”
_ Paul Virilio – The World of Education – May 2001
In this stage I decided to add more vegetation creating them with IVY Generator which later I exported to rhino and finally will be texturize with Maxwell using one of Megascans textures
At this point in the project the cabin remains a conceptual idea, organized by a simple diagram that suggests a basic form to connect its occupants to the land, sea and sky. The cabin wants to be situated in a northern latitude to take advantage of the diverse and dramatic landscapes these biomes have to offer.
The images so far represent inspirational forms, landscapes and color palettes that will continue to inform the next phases of work (landform modeling + cabin massing).
After I exported the mountain model to rhino, I started adding a few trees to setting the atmosphere. I used low polly trees because the scene is intended to be at night therefore they don´t need to be so detailed.